In brief, my overall contribution to ‘George’ has included –
Present for 75% of the location audio work.
40% of the total audio editing and track-laying for the piece.
40% of the sound design and creative audio work (foley, SFX etc) involved.
90% of the final mixing of the piece.
Present for 100% of rerecording of foley and SFX on location.
Involved in 30% of the foley work for the piece as either recordist or performer.
Lead on 75% of the artistic and production liason with the client.
Ancillary work for the project included –
Involvement in the enquiries for clearance of the source music in the piece.
Organising use of and access to one of the main locations in the film.
Performance on one of the music recordings used in the piece.
Mix of said music performance.
Transportation of the entire crew’s equipment on numerous occasions throughout.
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KEY POINT –
Breakdown of contribution to the work on ‘George’ – Contribution.
- To contribute extensively to the creation and editing of foley, atmosphere, dialogue and SFX for the piece
- To contribute extensively to the practicalities of creating and recording music for, and of recording location sound for the piece.
- To have a good degree of creative involvement in the conception and direction of the soundtrack for the piece.